Master Miguel Angel Jimenez
The Open de Andalusia
Miguel Angel Jimenez, Alvaro Quiros, another internationally successful golfer, thanked Turkish Airlines and tournament host Jimenez and all those whose efforts went into organizing the event.
Tournament director jose maria zamora
Director of The European Tour, Jose Maria Zamora said that the tournament was a source of pride that called for expressions like `first class event`and `first class partner. He concluded his remarks by saying that Turkish Airlines is not only a first-class operation but also the sponsor of his own favorite team, FC Barcelona.
And Paul Lawrie
The winner of this year`s The Open de Andalucia by Turkish Airlines was the 42-year-old Paul Lawrie. A Scottish golfer from Aberdeen, Lawrie has been a well-known figure on the European Tour since 1992. Lawrie was also the winner of The Open Championship in 1999.
Guide
Malaga is one of Andalucía`s major cities along with Granada, Cordoba, Seville, Murcia and Almeria. Coming under Phoenician. Roman and Arab rule in the past, Malaga is a historic city as well as a touristic paradise. The vast coasts of the Costa del Sol, the last bay before the Mediterranean meets the Atlantic, begin to fill with tourists starting in early spring.Historic Alcazaba, the Picasso Museum, the Costa del Sol and the cafes at the city center are just some of places you must see in Malaga. If you like seafood, you will be more than pleased by the abundance of fresh fish you `ll find there at extremely reasonable prices. You can also explore the Alhambra Palace and Cordoba Mosque on day tours from Malaga, which is not far from those two cities.
The future
The past 10 years have seen a radical transformation of the music industry away from a system of distribution controlled by major record companies to an absolute flood of new music,New artists and new ways to both distribute music and reach music fans. This transformation has been driven by the Internet and new technologies including Napster, iTunes, file sharing, Bit Torrent, email, instant messaging and Twitter.How can musicians of today and of the future prepare themselves for a career in this dynamic marketplace where many of the business rules of the past have been eliminated and new rules are being invented every day? At Berklee College of Music, the world`s largest music school, we think about these issues every day as we prepare students for successful careers in music.The challenge facing recording artists and record labels is the idea of being able to sell recorded music in significant volumes. That business is clearly under a lot of pressure. CD sales continue to fall. Digital sales have started to emerge but they are not replacing CD sales. In addition, digital sales online are certainly starting to level off after the growth of the last few years.Therefore, the idea that one can record music, distribute it, and make money as musicians and labels have done in the past is not necessarily going to hold true any longer. That is a huge challenge to any business that defines itself as a record label, and changes the fundamental economics of the music industry.Quite possibly, there will not be any recording revenues available 10 years from now, or if they are available, they will be available in a very different way. Music fans will be purchasing music as part of a subscription service or a utility like a cable television subscription or from an Internet Service Provider, so that is a fundamental change in the music industry that the industry has to cope with.We are already seeing services like Spotify, Radio and Pandora emerge to deliver music to fans either digitally for a subscription fee or through the support of advertisers. Long term, musicians will need to figure out a strategy for how they are going to make money in the music business if recorded music as an engine to drive sales is no longer the dominant revenue stream.What we call the music industry is only about 70 or 80 years old, and the radio, then vinyl recordings and cassettes and then CDs have largely driven it. However, 70years ago, there was not really a music industry based around recordings. Instead, it was based around live events, concerts, and parties and that is where musicians made money if they made any money at all in music.In some respects, we are going back to a model where recordings are not the primary source of revenue, but instead it is going to be more of the interaction with the audience and the experience.”
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